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damianimated:

We revere the “Renaissance Era: 89-99" of Walt Disney Animation Studios and we’ve dubbed their recent successes “The Golden Age 10-present" but I’m here today to show you what I dub "The Experimental Era 99-09" of the studios. Each on of these violently critiqued and often looked-over films is a charm in its own right and I’m here to tell you why.

1999 - Fantasia 2000 - Fitting enough it starts with a sequel to one of the most experimental animations of all time, Fantasia. This beautiful little continuation is just as charming and unique as the original. If not for the general rejection from audiences a third film had been planned.

2000 - Dinosaur - Experiments with overlaying computer generation with live-action backgrounds. Though often critiqued for its similarity to The Land Before Time (because it was dinosaurs??) 

2000 - The Emperor’s New Groove - On top of Dinosaur Disney released a second film, which was one of the first “cartoony” Disney films that focussed on a lot of traditional comic antics but beyond that it created a humorous film about class and understanding.

2001 - Atlantis: The Lost Empire - A film that often felt more aimed at adults than children featured a cast of diverse and interesting characters, including a Russian florist/bomber, a Latina mechanic, a black doctor, an Atlantean princess and several elderly characters that band together for the great of good and to save a dying kingdom from gold diggers.

2002 - Lilo & Stitch - One of the most unique animated Disney films to date, as it showcased the art style of artist Chris Sanders rather than sticking to the “Disney look,” along with beautiful watercolor backgrounds. The comedy was on point as well as an incredibly deep plotline about family and finding where you belong. One of the realest Disney films to date with its inclusion of social services, family death and over-all realistic portrayals of humans and family as well as the lead being a 7-year-old Hawaiian girl put this film as a turning point in the Disney Animation Studios.

2002 - Treasure Planet - The second film of 2002 focussed heavily in the concept of teenage angst and growing up. This film joins Atlantis in Disney’s attempts to create song-less animated Adventure stories.

2003 - Brother Bear - The second Disney film since Pocahontas to find its basis in Native American culture as well as the second since Tarzan to feature songs by Phil Collins. Breathtaking visuals and strong concepts of family and seeing things from someone else’s perspective make this film just as good as the two Renaissance Era it holds similarities with.

2004Home on the Range - Not one of Disney’s finest but unique in its plot line being focussed on three female cows and an array of farm animals. Cute and not as bad as its been made-out to be.

2005 - Chicken Little - Their first fully computer-generated film as well as the first to use Disney Digital 3D. It’s cute in its own right but definitely an attempt at getting the hang of CG outside of Pixar. Without Chicken Little we might not have Frozen.

2007 - Meet the Robinsons - The story of an orphaned boy who learns the best thing in life is to “keep moving forward.” Much of the film is based on retro Disney “Tomorrowland” ideas. It’s filled with uniquely designed characters and inspirational messages and is definitely the first CG Disney film to stand out.

2008 - Bolt - The third fully CG film from Disney. Adorable and funny as it follows the stories of three pets, uncovers topics of abandonment and identity crisis’ on a level that children can understand.

2009 - The Princess and the Frog - We close the Disney Experimental Era with the beauty that is The Princess and the Frog. Harkening back to such classic films as Cinderella with as much beauty and grace as Sleeping Beauty, this visual treat is one of Disney’s finest. Beyond that it features a unique soundtrack unlike anything featured in prior Disney musicals, incredibly detailed backgrounds, costume design and an amazing lead character. Not only is Princess Tiana the first Black princess but she is also one of the most realistically written with a dream and a will to make it happen.

And that’s the Walt Disney Animation Studios “Experimental Era.” It deserves far more respect than its been given.

Few doodles I managed to sneak in while out traveling.

Somehow taking a small break from drawing resulted in improvement :I

totalspiffage:

benjamin-strider:

perchu:

boys with collarbones (✿◠‿◠)

boys with clavicles (◕‿◕✿)

boys with spines (。♥‿♥。)

boys with patellas (≧◡≦)

boys with phalanges (◑‿◐)

boys with thoracic vertebrae (✿ ♥‿♥)

 

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hello ladies

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stickiebun13:

omgpoetry:

this is funny

like really, really funny

My BF had to explain it to me and now I feel like an idiot as he laughs his fucking ass off.

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hecallsmepineappleprincess:

besitos-for-a-day:

ask-aphsiberia:

roadieturbo:

still do.

my grey brick survived my brother throwing it at my head 

still doo

Still do

x nintendo x
x digimon x

first try on expert I don’t even

shovelblade:

jonjon’s bizarre adventure

ur welcome quint

platypoid:

zanreosauce:

yinyin-falcon:

swordman09:

vistolos:

smashedfish:

0shinyeevee0:

sulder:

martininamerica:

colonelcheru:

adriofthedead:

lepetitdragon:

jetgreguar:

Team Fortress Crossing: Two Leaf 

World of Mickey’s Warcastle of Illusion

Portalmon Y

Ace Attorney: Fire Emblem Awakening

Left 4 Papers, Please

Oh gosh I can’t imagine how weird zombie immigration must be.

Dream Team in Terrorist Town.

Um.

pokemon crossing

Skullsouls.

Like Skullgirls or Dark Souls individually needed to be more depressing.

Professor Sonic and the Curious Generations.

Ultimate Marvel Vs Capcom X Tekken

Sickest fighting game crossover ever!

Lethal Ikaruga League …

A shmup on speed, a Lethal League baseball bullet hell …

I’ve actually thought of a game mode that would be just that.

Dangan Yoshi: Trigger Happy New Island
this can never end well

Minecooper 4 dear god

puzzles and pokemon.

That would be a cool thing but then even more of a painful grind than it already is?

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